Anthony Domestico, who studied under James Wood at Harvard, turns in a review of the critic’s latest non-fiction collection, The Fun Stuff. Aside from penning an astute review of the book, Domestico draws from his firsthand experience with Wood to pepper his write-up with details such as this: “While puzzling over a complex passage, he would vigorously rub the top of his head, as if hoping to coax interpretive brilliance from his bald spot like a genie from a lamp.” (Bonus: our own Lydia Kiesling takes a look at Wood’s latest for Bullet Media.)
“Better to close your eyes and carry on with your own work, pretending the master carpenter doesn’t exist.” Karl Ove Knausgaard reads Michel Houellebecq’s novel Submission – one of the most anticipated books of 2015. Pair with this Millions essay on Knausgaard’s My Struggle.
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
Ad-driven e-books may be something we’ll all have to deal with in the future. At the Melville House blog, Dustin Kurtz explains why ads that pop up while a person is reading might well be an inevitable development. (If you’re like me, your reaction to this is simple: ugh.)