“…its woman-centredness also hints at feminism’s dirty secret: that feminists might be feminists because they are supremely interested in themselves, even if that interest is in the shape of self-doubt. While Sheila says that it’s great to be a woman because what a female genius should be hasn’t yet been established, that is also the problem of being a woman.” The London Review of Books addresses the problems of Sheila Heti’s How Should A Person Be?. For another perspective, don’t miss our interview with Heti.
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
“Here is the last and biggest piece of advice I have: If you have a story that you want to tell, but you’re afraid that someone in your life is going to feel wounded, whether that feeling is justified or not, fair or not, tell it anyway.” Emma Straub, who recently wrote about her Year in Reading, gives some advice on fictionalizing real people in an essay for Rookie.
When I was a kid, I read the whole Little House series by Laura Ingalls Wilder and never thought about it being “for girls.” At Slate, Emily Bazelon writes about why it’s wrong that “the conventional educational wisdom holds that boys don’t like to read about girls.”The New York Public Library’s 25 Books to Remember from 2005 (via Conversational Reading)It’s Perfectly Normal, a sex education book by Robie H. Harris tops the American Library Association’s list of 10 Most Challenged Books of 2005. Also on the list: The Catcher in the Rye and the Captain Underpants series.The Ten Worst Autobiographies as listed by The Independent. Not sure where else you’d find Hillary Clinton, James Frey and Hitler on the same list. (via Books Inq.)A New Orleans resident auctions off a bunch of “first-edition books, handwritten manuscripts and letters by Beat Generation writers” to raise money for Jon and Gypsy Lou Webb who published some of Charles Bukowski’s earlest works and were left homeless by Hurricane Katrina.
Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
As the publication date nears for Robert Caro’s latest Lyndon Johnson installment, The Passage of Power, it’s a good idea to brush up on your history of Caro’s career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.