“…its woman-centredness also hints at feminism’s dirty secret: that feminists might be feminists because they are supremely interested in themselves, even if that interest is in the shape of self-doubt. While Sheila says that it’s great to be a woman because what a female genius should be hasn’t yet been established, that is also the problem of being a woman.” The London Review of Books addresses the problems of Sheila Heti’s How Should A Person Be?. For another perspective, don’t miss our interview with Heti.
How Should A Feminist Be?
Women Writing About War
Recommended Reading: Kayla Williams‘s overview of books about war written by women veterans. “Works have been published by women veterans from all four branches of service, officers and enlisted, active duty and reservists, and from multiple ethnic backgrounds. Their diverse voices can significantly deepen our understanding of both who volunteers to serve in today’s military and what they experience.”
Poetry of Misplacement
Recommended Reading: Daisy Fried’s poem in the new issue of Grey Magazine, “Where Not to Put Things.” “Failed poems about sex, ball of yarn/twists from pink to green/to tangerine.”
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Bookless in Laredo
As of last week, Laredo, Texas, a city of 250,000 people has no bookstore. A sign of the coming apocalypse or a great business opportunity? You decide.
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Deeper into the “Twungle”
Margaret Atwood considers her experience of Twitter and describes how the wilderness of the online world is spilling over into her physical reality.
Losing It
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
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You Think It, She’ll Write It
“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)