Zazen author Vanessa Veselka announced on Tuesday that she has sold her second novel. Unfortunately, she doesn’t reveal many more details than that, so we’re all going to have to bide our time until then.
“Over the past thirty-five years alone, language from Frost’s poem has appeared in nearly two thousand news stories worldwide, which yields a rate of more than once a week. In addition, ‘The Road Not Taken’ appears as a title, subtitle, or chapter heading in more than four hundred books by authors other than Robert Frost, on subjects ranging from political theory to the impending zombie apocalypse.” David Orr writes for The Paris Review about Robert Frost’s “The Road Not Taken,” one of the most misread poems of the English language.
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.