I wrote an essay for The Dublin Review on the strange phenomenon of Internet unboxing videos, in which people remove new purchases from their packaging and talk us through the process in exhaustive detail. You can read the whole thing online here.
The Welsh government is hoping that Dylan Thomas can do for Swansea what James Joyce has done for Dublin. This year, officials have announced that £750,000 will be made available for the DT 100 Festival, which will celebrate the centennial of the poet’s birth. Aside from boosting tourism, however, the festival’s organizers also hope to “raise the status of Thomas,” who many feel has “[been] neglected [and had] his work … overshadowed by a conception of the man as a drunkard, scrounger and womaniser.”
"Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?" Roxane Gay reviews Joyce Carol Oates's The Sacrifice and simultaneously explains how to write difference well. Hint: it "demands empathy, an ability to respect the humanity of those you mean to represent."
Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that "in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat."