“The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition….While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up.” There’s a new biography of the A Wrinkle In Time author out, and The New Republic examines her life’s many complexities and, well, wrinkles.
Recommended Reading: In her new memoir, Joyce Carol Oates praises Alice’s Adventures in Wonderland & Through the Looking-Glass as “the singular book that changed my life – that made me yearn to be a writer.”
If you’re not already a fan of Will Self, his new book, Shark, may not be the best place to start. As Walker Rutter-Bowman points out, the book dispatches with many of the conventions of modern writing, including line breaks, paragraphs and dialogue tags. But it’s still an effort worthy of its author, he writes: “Here is a hunk of modernism that poignantly, beautifully, and, it seems, genuinely renders mental states of sanity and insanity while smudging the gradations in between.”
New this week: The Secret Place by Tana French; 10:04 by Ben Lerner; Barbarian Days by William Finnegan; Wittgenstein, Jr. by Lars Iyer; The Emerald Light in the Air by Donald Antrim; and The Bone Clocks by David Mitchell. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.