In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature — the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)
Equal parts voyeuristically indulgent and unapologetically stimulating, Unpacking My Library: Writers and Their Books is the second installment in Yale University Press’s ongoing series, a journey into the personal libraries of thirteen favorite authors. This installment? Alison Bechdel, Stephen Carter, Junot Díaz, Rebecca Goldstein, and more.
ReadThis and The Center for Fiction are throwing a day-long event featuring the likes of Elizabeth Gilbert, Rick Moody, Kurt Andersen, Sam Lipsyte, and Jamaica Kincaid. It’s taking place at 17 East 47th Street in Manhattan on Saturday April 10th. “The price of admission? Your donation of two or more new or gently used board books through grade 12.”
Somewhere along the way, the word “cool” became “the most popular slang term of approval in English.” Humanities has a pretty cool (hip, rad, dope, groovy, punk, hot, sweet) theory, tracing it as far back as Zora Neale Hurston’s collection Mules and Men, and the time when “cool was black… cool was jazz.” (Related reading: the most excellent Hepster’s Dictionary (pdf) of 1939 jive talk, and our own history of the slang word “like.”)
Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
Craig Fehrman reviews Keith O’Brien’s Outside Shot, a book which follows the 2009-10 boys’ basketball team at Scott County High School in Georgetown, Kentucky. O’Brien’s book is much in the mold of Buzz Bissinger’s Friday Night Lights, writes Fehrman, in that it’s concerned with a “troubled town, precarious season, political resonance” – but it’s also a book that falters under the legacy of its predecessor.