In this month’s issue of GQ, exemplary road-tripper Gideon Lewis-Kraus (of A Sense of Direction fame) pays a visit to the Electric Daisy Carnival, where the raves of the ‘90s have yet to go out of fashion.
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison's Sula.)
“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.