There are plenty of new books to this week to fill that post-election void: Both Flesh and Not: Essays, a posthumously published collection from David Foster Wallace; Barbara Kingsolver’s Flight Behavior; Prosperous Friends by Christine Schutt; Magnificence by Lydia Millet; and These Things Happen, a debut by longtime TV writer Richard Kramer. From the indies, we have The Care and Feeding of Exotic Pets by Diana Wagman and Keyhole Factory by William Gillespie. Also out are Philip Pullman’s new version of Fairy Tales from the Brothers Grimm; Hallucinations by Oliver Sacks; and a big new Michael Jackson biography by a former Rolling Stone editor.
Most of our internet browsing results in wasted time and too many cat videos, but Nora Crook stumbled upon Mary Shelley’s unpublished letters while researching an obscure 19th-century novelist. In the letters, which range from 1831-49, Shelley fawns over her son and even discusses a 3 a.m. trip to her hairdresser when she got a ticket to the coronation of William IV in 1831. The letters will be published soon in The Keats-Shelley Journal.
The LA Times‘ Festival of Books is happening this weekend, and attendees have not one, not two, but three chances to see Millions staffers Patrick Brown and Edan Lepucki. On Saturday, Patrick will be hanging out on the Nuts and Bolts publishing panel, and on Sunday, he’ll be moderating one entitled Art of Immersion. Also on Sunday, Edan will moderate the Visionary Eyes fiction panel with Aimee Bender, Mark Leyner, Ben Ehrenreich, and Elizabeth Crane.
The subjects of photographer Robert Dawson’s latest project are beautiful, educational, and in danger; they are public libraries. For his new book, The Public Library: A Photographic Essay, Dawson visited hundreds of public libraries, from little free libraries to icons, in 48 states to photograph “our best example of the public commons.” The Morning News has a few of his photos as well as an essay on the importance of libraries by Charles Simic. “Wherever I found a library, I immediately felt at home.”
Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.