The Guardian has an excerpt of My Ideal Bookshelf, with pieces by Judd Apatow, David Sedaris and Chimamanda Ngozie Adichie, available for viewing on its website. Take a guess which one said Raymond Carver makes writing fiction look easy.
Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.
“The idea was that whatever I felt or did resonated in life, caused people pain or happiness. This gave me a feeling of huge responsibility even as a child – to the extent that sometimes I had to block my own feelings or wishes. When I started writing fiction, suddenly I was allowed to do what I wanted.” Talking with Etgar Keret.
“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
Hunter S. Thompson was a man whose reputation preceded him. Let’s honor his legacy the way he probably would have wanted–by taking a look back at a list of the crimes he committed in the Big Apple. If you don’t know anything about Hunter S. Thompson, this job application that he sent to the Vancouver Sun in 1958 should get you started.
Even as much of the Eastern U.S. is lashed by a massive storm, we have new books this week, skewing mostly to non-fiction, including Kurt Vonnegut’s collected letters, Richard Russo’s memoir Elsewhere, James Wood’s collection of essays The Fun Stuff, and Peter Carlin’s authorized biography of Bruce Springsteen. On the fiction side is Emma Donoghue’s Astray.