The Guardian has an excerpt of My Ideal Bookshelf, with pieces by Judd Apatow, David Sedaris and Chimamanda Ngozie Adichie, available for viewing on its website. Take a guess which one said Raymond Carver makes writing fiction look easy.
Quarry, The final book of Iain M. Banks, who died this month, is now out. Also out: Sisterland by Curtis Sittenfeld, On the Floor by Afric Campbell, and, as an "e-single" spin-off to his bestseller Rules of Civility, Amor Towles is out with Eve in Hollywood.
From the Paris Review: Daniel Torday on lost family stories, Pliny the Elder, and the origins of glass.
Vintage International released Cormac McCarthy's screenplay for The Counselor, the new Ridley Scott film which our own Nick Moran wrote about on Saturday. Also out: Quiet Dell by Jayne Anne Phillips; Identical by Scott Turow; The Last Animal by Abby Geni and The Luminaries by Booker Prize shortlister Eleanor Catton, which Martha Anne Toll reviewed for us on Monday. (For more on these and other new titles, go read our Great Second-half 2013 Book Preview.)
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”