“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”
Powell’s Books teamed up with Rogue Ales and Spirits to create White Whale Ale. “Infused with the seafaring spirit of Moby-Dick,” White Whale Ale is sure to please any beer drinker in your family this holiday season – even if they did skip the Cetology sections of Melville’s classic.
Recommended Reading: This Atlantic article on the life of Henning Mankell, author of the Kurt Wallander series. The author said, “When I write, I always try to reflect the reality we live in, a reality that is becoming rougher and more violent. This violence and its impact on people around it is what I try to reflect in Wallander. But reality always surpasses the poem.”
The New York Times Book Review commissioned a work of fiction about the election from Chimamanda Ngozi Adichie. She chose to write about Melania Trump. If you can handle more Trump, check out Greg Chase’s portrait of a Trump supporter, based on Faulkner’s The Sound and The Fury.
JSTOR will be making 500,000 articles from over 200 journals freely available to the public. These will include items published before 1923 in the US, and published before 1870 abroad. Earlier this month, I rounded up a few pieces by people who think the entire database should be free.
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks "demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s."