“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”
The Discreet Charm of the Bourgeoisie
There’s A New Oz in Town
The new Wizard of Oz prequel, Oz: The Great and Powerful, which stars Mila Kunis and James Franco among others, has its first official trailer. The film will release in 2013.
“The C closest to the center”
In the LA Times, Jim Ruland reviews Middle C, the new book by Year in Reading alumnus William H. Gass. For another take on the novel, go read “best-read man in America” Michael Dirda in the Washington Post, or else check out Greg Gerke on the author’s Life Sentences.
What Should I Title This?
Titles are hard, guys. Over at The Daily Beast, Ruth Bernard Yeazell tries to figure out why so often famous paintings have titles that don’t seem to match up with the work at all. Here are four (4) other pieces on titles — I told you, titles are hard.
“Perfect translation … is of course impossible.”
Ever wonder how Google Translate works? Now you know. These two pieces (one and two) on Lydia Davis‘ translation of Madame Bovary are worth revisiting, too.
Talk About That
“Here is a fascinating conundrum: The creator of a scientifically delegitimized blueprint of the human mind and of a largely discontinued psychotherapeutic discipline retains the cultural capital of history’s greatest playwright and the erstwhile Son of God.” On Freud.
Why So Socialist?
Have you seen the infamous image of Obama in Heath Ledger-style Joker makeup? (Image care of Bedlam Magazine). See the artist, unmasked, at the L.A. Times.
