Now that Louise Erdrich has won the National Book Award, it’s worth looking back on her interviews from recent years. You can read her piece in the Art of Fiction series, published in 2010 in The Paris Review; you could try her interview with the Times from back in October; or else you could take a look at her sit-down with The New Yorker in April. (This probably goes without saying, but you could also just read her new novel.)
Meg Wolitzer’s The Interestings has been a Millions favorite, so we’re excited to hear about her next book, Belzhar, a young adult novel inspired by Sylvia Plath. The book comes out on September 30 and follows a 16-year-old grieving at a boarding school for fragile teenagers, where she and her classmates discover an alternate world. Wolitzer spoke to NPR about why she was drawn to YA. “Much of what adolescents feel seems set in relief, and much of what they experience is happening to them for the first time.”
The finalists for the John Leonard Prize — for a first book in any genre — were announced by the National Book Critics Circle. This year’s finalists are Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Julie Buntin‘s Marlena, Zinzi Clemmons’ What We Lose, Layli Long Soldier’s Whereas, Carmen Maria Machado‘s Her Body and Other Parties, and Gabriel Tallent‘s My Absolute Darling. The winner will be announced in January. Pair with: Buntin’s 2017 Year in Reading entry.
Courtesy of fake-news juggernaut The Onion, a new viral website honest about its purpose: “I think we see the ideal ClickHole reader as a hollow shell who exists purely to click on our content and then share that content with other hollow shells.” (Also: the same technique on headlines, applied to books.)
We thought we had a better chance of seeing Odin than Neil Gaiman’s American Gods on TV, but after the HBO deal fell through, the novel is finally being adapted for the small screen by FremantleMedia. Bonus: Gaiman’s Anansi Boys is also being adapted into a BBC miniseries by RED. To brush up on Gaiman’s interest in mythology, read our review of The Ocean at the End of the Lane.
John Jeremiah Sullivan has a new essay about animal consciousness – and specifically our understanding thereof – in Lapham’s Quarterly. This effort is more serious and decidedly less terrifying than Sullivan’s last essay about animal agency, “Violence of the Lambs.”
“The best thing I ever do for my writing is to take a walk alone in the woods behind our house. Nothing else gets my writing juices flowing so well. And yes, I think that I absolutely need more quiet in our current fractured world.” For Poets & Writers, novelist Leesa Cross-Smith interviewed fellow writer Silas House about quiet books and the importance of nature in the writing process. Pair with: our own Emily St. John Mandel on the pleasures of quiet books.