South Florida readers! Assuming you’re done voting by now, you should make next week’s Miami Book Fair International a priority. Afterward, you can go celebrate thirty years of Books & Books, the jewel of Coral Gables. (And perhaps to warm up for it all, you can read my review of Tom Wolfe’s Back to Blood.)
Party in the City Where the Book Fair’s On
“The thousand cheerful chimneys”
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Pre-Detective
Need more than just a hashtag to get ready for the new season of True Detective? Tom Nolan is here to help. At Salon, Scott Timberg interviews the biographer of Ross Macdonald, a crime fiction writer whose mysteries tackled the underbelly of California. You might want to read the new collection of Ross’s novels, or else our list of crime novels where women are the detectives.
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Queens’ Libraries Speak the Mother Tongue
In many of Queens’ 62 library branches, copies of books are being borrowed are in Korean, Chinese or Spanish. A library branch in Astoria, responding to its own diverse readership, carries children’s books in Arabic, Bengali, Chinese, Russian, Portuguese and Gujarati. Striving to cater to the intensifying globalization of its surrounding streets, the New York neighborhood library speaks your language as never before.
Judge It By This
Year in Reading alum Chang-Rae Lee has a new book out this week, and its cover is making headlines. Readers who buy the limited edition of On Such A Full Sea will get the first 3D printed book cover in publishing history. According to the printers, each cover took fifteen hours to make.
Ada Limón on Reading Ray Bradbury in High School
"I had never read stories like this." Ada Limón on being given Ray Bradbury's The October Country by her high school English teacher.
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This Is Not a Novel
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
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Author as Commercial Mechanism
Has Edward St. Aubyn killed the existentialist novel? Jacob Kiernan at Full Stop Magazine has a few ideas about it. If it’s existential quandary you’re after, this essay for The Millions on the beautiful afterlife of books–which may not be so much of an afterlife, after all–will be perfect for you.
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