South Florida readers! Assuming you’re done voting by now, you should make next week’s Miami Book Fair International a priority. Afterward, you can go celebrate thirty years of Books & Books, the jewel of Coral Gables. (And perhaps to warm up for it all, you can read my review of Tom Wolfe’s Back to Blood.)
The true confessions of Lev Grossman, book reviewer: “There was a time when I actually believed, because I was an ass, that as a critic I was an avenging angel with a flaming sword, and that part of my job was to help rid the culture of books that were sucking up more of the literary oxygen than they deserved.”
The internet has allowed self-publishing to become tremendously popular, but writers have been limited in their ability to create custom designed books. A new site called Blurb is offering book creation software that allows you to build your own book. Then they print it for you. It’s meant for creating a one off gift or keepsake, and the prices seem somewhat steep, but it’s probably better than what you would get from a professional print shop.The Bookfinder.com Journal discusses the US Copyright Office’s new report on orphan works (“Orphan works are copyrighted materials whose owners are difficult or impossible to locate, meaning they can no longer be purchased, reprinted, cited at length, or otherwise built upon. Books can get ‘orphaned’ for all sorts of reasons.”) New rules will hopefully make it easier to republish out of print work that has disappeared because copyright holders cannot be found.The Baltimore Sun reports on a man who tried to build his book collection by checking out more than 402 books on as many as 10 different library cards. The fine? Three years in prison.
This week we have new on shelves: Julie Orringer’s hotly anticipated debut novel The Invisible Bridge; Meghan Daum’s memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer’s Gun by our own Emily St. John Mandel.
A Canadian Ph.D. student wrote (and successfully defended!) a 52,000 word dissertation that features almost no punctuation. Titled “Indigenous Architecture through Indigenous Knowledge,” the dissertation has no periods, commas or semi-colons, a choice intended to “make a point” about colonial and aboriginal identity. Canada’s National Post has the story.