It’s 1957. You’re Truman Capote. Your editor at The New Yorker, inspired in part by an excellent sense of humor, has asked you to write about an upcoming film (based on a novel by James Michener) that stars none other than Marlon Brando. How do you handle it?
Encountering an Enfant Terrible
Apocalypse Patriots
In The New Statesman, Ben Marcus wonders why American writers are so obsessed with the apocalypse. (A sentiment a few others have wondered of late, too.)
Conversations & Connections, 2013
Are you a writer in the Philadelphia area? Are you looking for “a comfortable, congenial environment where you can meet other writers, editors and publishers?” If you answered yes to both of these questions, then this September’s Barrelhouse Conversations & Connections conference will be right up your alley. This year’s keynote speaker will be Familiar author J. Robert Lennon.
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Canada, Don’t Take America’s Lead.
Millions staff writer Michael Bourne wrote a sobering piece for Canada’s Globe and Mail about the need for stricter gun control in the United States. “I can implore my new neighbours to maintain strict controls on guns,” he writes. “All our children’s lives depend upon it.”
Total Eclipse
“I turned back to the sun. It was going. The sun was going, and the world was wrong.” Longreads invites us to revisit Annie Dillard‘s classic essay “Total Eclipse,” from her new collection, The Abundance: Narrative Essays Old and New.
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