Tom Wolfe has a chance to defend (er, ward off?) his 2004 “Bad Sex Award” following Literary Review‘s decision to nominate him for this year’s top honors (er, dishonors?). The UK publication has tapped Back to Blood and seven others for this year’s shortlist — and, despite popular demand, they managed to spare J.K. Rowling’s The Casual Vacancy. For some revealing passages from Wolfe’s book, check out my review.
“Write a short story from the point-of-view of a babysitter who one summer night witnesses something she never expected to see in her life, and then do a ‘find and replace’ in your Word doc until each instance of ‘babysitter’ becomes ‘Navy SEAL.'” Leigh Stein shares some “Writing Prompts for Girls and Women” with The Rumpus. Pair with our own Emily St. John Mandel‘s review of Leigh Stein’s The Fallback Plan.
Flip through the blurbs on a recently published novel and you’re likely to come across a ton of stock phrases. Gary Shteyngart parodied this repetition — as well as other facets of the blurb-industrial complex — in a bit of improv last year. At The Morning News, Christine Gosnay writes about a poem that gave her a genuinely new reaction: the sense that she was “more than one person.”
I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
“But even among its peers, Louie is an outlier. It is a show that, more than any other, both caters to this new kind of audience — the Laptop Loners — and has, as its creator, a member of the club…we are living in the iGeneration, in which the self is projected back toward the world via social media. But whereas many Americans weave their public personas from curated chains of cultural signifiers — think of the popular web platform tumblr, where users ‘express themselves’ by posting digital reproductions of existing images — [Louis] C.K. aims for something more penetrating, a filmic representation of his own psyche,” claims the Los Angeles Review of Books.