The Council of Literary Magazines and Presses is hosting their annual Spelling Bee Fundraiser on October 30th. New Yorker editor Ben Greenman will host the event, which will pit Jonathan Ames, Amor Towles and Laura Lamont’s Life in Pictures author Emma Straub against one another (and more) in a battle of lexicographic perspicacity. (Can you state the language of origin, please?) The event will be judged by none other than Jesse Sheidlower, editor of the inimitable Oxford English Dictionary.
George Saunders delivered a little publicized convocation at Syracuse University this year. His main advice to the class of 2013 — be kind. “And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE,” he said.
We are now over a week into Amazon’s boycott of the indie press e-books distributed under the Independent Publishers Group. IPG is taking a stand against Amazon’s hardline negotiations during the retail giant’s annual contract review, and 5000 titles are no longer available through the Kindle store. Last week Jim Hanas, author of the digitally and independently published Why They Cried, spoke out against Amazon to champion other e-readers and e-book retailers. The renegotiations are taking place across the industry, though, as Melville House’s Dennis Johnson puts it, “major industry figures at the big houses in New York — facing similar cutthroat demands from Amazon for their own annual contracts — remain silent… This isn’t over yet.”
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
“Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos.” On Frank Zappa, music theory wizard and occasional public intellectual.