“One reason presidents are drawn to the genre is surely its escapism — its promise to replace impossible decisions with comforting formulas.” For The New York Times, Craig Fehrman writes about United States presidents who have a predilection for mystery novels. If you need your mystery fix too, we have a list with five crime books with female detectives.
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
Eric Benson interviewed Bruce Jackson about “the strange and brutal world of Southern prison farms.” Jackson, who recently published a collection entitled Inside the Wire, snapped prison photographs in Texas and Arkansas from 1964 to 1979. The images depict both the mundane and the surreal, occasionally appearing as though they were “taken from a fever dream.”
How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”