In The New York Times, T.C. Boyle tells Andrew Goldman about his pact with his wife (who “rarely leaves the couch”) and his view of writers who date other writers (dim). The author came out with a new novel, San Miguel, in September.
David Kurnick explores what makes Elena Ferrante's Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.