“The repetitions, the ellipses, the onomatopoeia: All the markers of Wolfe’s stylistic DNA were adaptive mutations to a competitive climate, search-engine optimization for the typewriter age.” Here’s an interview with Tom Wolfe about his new novel, Back to Blood, which is receiving mixed reviews.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
When University of Iowa Special Collections librarian Colleen Theisen found hidden fore-edge paintings on a 19th century scientific book Autumn, she made a gif of it, of course. Then, she realized there were more secret paintings for each season and more gifs followed. Who said old books weren’t interactive?
One night in 1937, Avies Platt decided to attend a meeting of the Sex Education Society, held at London’s Grafton Galleries. When the meeting was over, she ended up driving none other than W.B. Yeats to the afterparty. In the LRB, she recalls her encounter with greatness.
Wole Soyinka does not approve of the push for Chinua Achebe to be awarded a posthumous Nobel Prize for Literature, and he doesn’t appreciate fan letters asking for his support to that end. “How did creative valuation descend to such banality?” Soyinka remarks in an interview with SaharaReporters. “Do these people know what they’re doing – they are inscribing Chinua’s epitaph in the negative mode of thwarted expectations. I find that disgusting.”
“You’re asking if the Race Memoir, the Gender Memoir, or the Sexuality Memoir will survive market trends. I don’t know, but if I put your question in context with Imani Perry’s idea then yes, it will endure. Will it always be ‘trending’? No, but it will endure.” Just one of many great lines from Kima Jones who, along with Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, and Kathryn Belden, discusses the current upswing in books on gender and race for Buzzfeed.
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.
Geoff Dyer endorses Ben Lerner’s Leaving the Atocha Station , John Jeremiah Sullivan’s Pulphead –our own Bill Morris loves it too!–and a generalized aversion toward seafood in his interview with Morten Høi Jensen for Book Forum. While they ostensibly met to talk about Zona–reviewed on The Millions here–it’s perhaps unsurprising that they managed to digress so liberally: “we chatted about his review of Richard Bradford’s Martin Amis: the Biography, and by the end he was giving me advice about which David Markson book I should read first. Our interview, in other words, assumed the shape of a Geoff Dyer book.”