“The repetitions, the ellipses, the onomatopoeia: All the markers of Wolfe’s stylistic DNA were adaptive mutations to a competitive climate, search-engine optimization for the typewriter age.” Here’s an interview with Tom Wolfe about his new novel, Back to Blood, which is receiving mixed reviews.
Don’t bother looking for that book you need, a robot will do it for you. Will browsing disappear as robots take over libraries?Mad Max Perkins, “currently a senior executive for a major New York publisher,” has entered the world of blogs. Who is this masked man?Moleskine, maker of the world’s greatest notebooks, has added the Story Board Notebook to its ever expanding line of notebook products. “Advertising creatives, graphic designers, filmmakers, and cartoonists” rejoice!I enjoyed reading an excerpt of Maximum City: Bombay Lost and Found by Suketu Mehta. A good pick for anyone with an interest in the subcontinent.
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)
“Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?…Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism.” At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg’s new and controversial Lean In.
“[I]f your kid isn’t reading yet, he won’t know you’re gender-swapping Elliot the elephant.” Lifehacker considers how to get boys to read so-called “girls’ books,” i.e., enjoy books with both male and female protagonists. Pair with T.K. Dalton‘s consideration of gender, childrearing, and reading.