Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated--and will continue to generate--social novels of its own.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
"Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business...." Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)
In 2012, the Portuguese writer José Luís Peixoto, on the occasion of Kim Il-Sung’s 100th birthday, went to North Korea for a fifteen-day trip. The experience led him to write a travel memoir, Inside the Secret, which you can read in serialized form online at Ninth Letter magazine. You could also read Pulitzer laureate Adam Johnson’s new Granta essay about the country.
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by "a few writers who chart Florida’s strange vacillation between the modern and the primordial," including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more "Floridapocalyptic."