East of the West author Miroslav Penkov is sitting pretty these days. The Bulgarian fiction writer recently nabbed the BBC International Short Story Award for his collection’s titular story, “East of the West.” With a purse of £15,000, this is the world’s biggest prize for short stories, though typically it considers work by British authors only. However this year, due to the 2012 Olympics, the field was expanded to include international writers. All five judges unanimously picked Penkov’s work over the nine other submissions. You can read an excerpt online courtesy of Google Books, and you can get a little more acquainted with Penkov’s themes on Picador’s Tumblr.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. “The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse,” she writes.
In the Boston Review, Jess Row wades – slowly, interestingly, not always coherently – into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really “a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?” Probably not, even granting Row’s exception. But possibly worth arguing about. If you like that sort of thing.