Our own Lydia Kiesling hit up our own Patrick Brown’s Goodreads LitQuiz to battle for first place in the competitive world of San Franciscan Literary Trivia, and wrote up her trivial trials and tribulations for #LitBeat.
#LitBeat hits LitQuake for a LitQuiz
Tuesday New Release Day: Franzen, Binet, Baldwin, Müller
A new collection of non-fiction by Jonathan Franzen, Farther Away: Essays, is out today. Also out is Laurent Binet’s HHhH, from which we recently published some redacted scenes. Other new releases this week include Rosecrans Baldwin’s memoir Paris, I Love You but You’re Bringing Me Down and Nobel laureate Herta Müller’s The Hunger Angel.
“The source of sexual power is curiosity, passion.”
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
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Move Over, Paula Deen
The late Colonel Harland Sanders (of Kentucky Fried Chicken notoriety) is the author of a newly unearthed manuscript “chock full of homespun anecdotes and life lessons from Sanders, who struck it rich late in life. It also includes a heaping helping of his favorite personal recipes.” The manuscript will be published online within the next year.
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Pump the longreads at SXSW
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.
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The Problem with String Theory
Don’t tell Paul Murray, but apparently “string theory,” much beloved by artists and fringe physicists alike, has zero proof to back it up.
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What We Talk About When We Talk About Books
“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
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Creative Person, Creative Life
“How is the life of a creative person—an artist, a designer, a composer—related to his or her work?” The New Yorker lists 7 archived pieces by way of answer.
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