In the LARB, Hannah Tennant-Moore offers up a counterpoint (which our own Emily M. Keeler wrote about on Tumblr) to the raves that greeted How Should A Person Be? when the book came out this year. To hear what the author, Sheila Heti, had to say about the novel, check out our interview from June.
Nick Stockton wonders why writers are such bad proofreaders of their own work. He argues that it is hard to catch typos because our brains arrive at meaning faster by taking shortcuts. Also enjoy this skit of Strunk & White in conversation with the grammar police.
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
Darryl Campbell has had enough of the clichés abundant in book reviews so he’s devised some alternatives. “If fine artists aren’t your thing,” Campbell writes, “then maybe American presidents might be a better comparison: ‘Taft-like excess,’ ‘Cleveland-esque genre-bending’ or ‘Clintonian eroticism’.”
“Acclaimed novelist Cormac McCarthy, 79, wowed Cabo beachgoers Wednesday after debuting his sizzling new summer physique in a light-blue Vilebrequin swimsuit that showed off at least 20 extra pounds of lean muscle.” (Bonus: Benjamin Percy thinks McCarthy may have written “the scariest passage in all of literature.”)
“At its core, the New York newspaper strike was a battle over technology. The 1950s and 1960s saw the emergence of computerized typesetting systems that would revolutionize the newspaper composing room…Today, new technology is again shaking American newspapers as the Internet drains away more and more advertising revenue. Cities with dailies may soon face a newspaper blackout much darker than what New York experienced a half-century ago. For a brief period, New York was a laboratory that demonstrated what can happen when newspapers vanish,” writes Scott Sherman at Vanity Fair.