Recommended Viewing: Photographer Alec Soth and writer Brad Zellar’s LBM Dispatch, “an irregularly published newspaper of the North American ramblings.” The New Yorker has a gallery of 14 of Soth’s haunting photos that capture the fleeting spirit of America.
“Nobody there but dirty old men who spit tobacco juice and try to look up your skirt.” The city square is one of the biggest architectural differences between the United States and Europe. Over at The Daily Beast, George Packer takes a look at plazas/piazzas and makes a case for why America needs more.
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
“Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same.” Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.