Brett Ortler, a blogger at Bark, chronicles his effort to figure out why indie publisher, BlazeVOX, wants to charge him $250 to publish his book of poems. Follow-up posts reveal, first, that BlazeVOX has rescinded the pay-to-play scheme, and, second, that it now plans to go out of business by the end of the year.
Not sure why Harry Potter shares the fruits of his heroism? Upset that Hermione doesn’t end up with tons of cash? Well, then you should sit down with Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published at The Toast by Mallory Ortberg.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
New this week are Ron Rash’s The Cove, Brian Evenson’s Immobility, and Volume Two of Susan Sontag’s Journals (all books highlighted in our January preview). Out in paperback this week is David Foster Wallace’s The Pale King, from which we recently ran a previously unpublished excerpt.
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.