At Full-Stop this week, an interview with Joshua Cohen, whose new book, Four New Messages, spans “a wide geographic and narrative terrain.” Back in August, Johannes Lichtman gave his own take on the collection, as did Shannon Elderon at The Rumpus.
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I created an internet buzz when I smiled
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
Insert Your Own “Judging” Joke Here
This list of the year’s best book covers — chosen by the staff of Design Observer — pairs nicely with our own comparison of book covers from the US and UK.
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Not for Us
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
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Kill Them With Kindness
George Saunders delivered a little publicized convocation at Syracuse University this year. His main advice to the class of 2013 — be kind. “And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE,” he said.
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Idolizing Hemingway
Robert Roper wonders whether or not Ernest Hemingway‘s death has “eclipsed his work.” Elsewhere, Melville House wonders whether or not the FBI had something to do with it. The author’s influence is as apparent today as ever before, though perhaps it’s not his death that endures, but rather his perceived masculine mystique.
Nit-Pick
Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate, L.V. Anderson looks into a typographic mystery.
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