Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
You should check out George Saunders’s “Liner Notes” piece about “2776: A Musical Journey Through America’s Past, Present & Future,” which is set to accompany a forthcoming musical-comedy album from Patton Oswalt, Aubrey Plaza, Ira Glass, and Yo La Tengo, among others. If that hasn’t sold you, consider the fact that Saunders’s piece contains this line: “Truth be told, there were a number of regrettable omissions. Beyoncé and Jay Z’s piece ‘Bomber’ had to be left off the album. (‘Driver of this plane, this / B-52 on the way to Nagasaki / Stuff your ears with cotton and / Close those eyes / Me and my man are about to do it all over this / Here bomb’).”
Tom Wolfe’s next book will be a “nonfiction account of the animal/human speech divide,” reports Sarah Weinman. Presumably this effort – entitled The Kingdom of Speech – will be based on the author’s “Human Beast” lecture from 2006. (A lecture he went on to explicate in a 2008 interview with SF Gate.) Hopefully the Great White Suit’s return to straight nonfiction will prove more successful than his attempt at fictionalizing Miami last year.
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Kirkus Reviews has announced the winners of this year’s Kirkus Prize, bestowed annually to authors of fiction, nonfiction and young readers’ literature. The 2015 winners are Hanya Yanagihara (for her A Little Life, who we interviewed), Ta-Nehisi Coates (for Between the World and Me, which we published an essay about), and Pam Muñoz Ryan (for Echo).