“As a literary symbol portraying man’s tragic nature, is any more compelling than a gun? A gun lets fear become death, quiet desperation become brutality whose fallout others are forced to deal with.” Over at The Literary Hub, a list of 10 novels that follow Chekhov‘s famous dictum, literally. Might we also suggest our own Emily St. John Mandel‘s The Singer’s Gun?
In 1817, the painter Robert Benjamin Haydon invited several guests over for what he called an “immortal dinner.” Why the bombastic name? The guests included Keats and Wordsworth, whom Haydon wished to introduce to each other. In the WaPo, Michael Dirda takes a look at The Immortal Evening, a new book about the event by Stanley Plumly.
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns’s birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
After thirty years, Larry Kramer has finished his novel The American People, which he prefers to consider a new form of nonfiction. In the novel, a narrator based largely on Kramer writes a historical expose, also titled The American People, in which numerous American icons are described as having been gay. As Kramer says, he wrote the book in part out of a feeling that gay people are excluded from history books.
In his upcoming book Borrowed Words, Philip Durkin looked at the languages that have shaped English over the centuries, charting the influence of Spanish, Italian, French and more. At Slate, he sums up his most important data with the help of an interactive tool.
“A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice’s adventures by any means equal to her previous ones.” The Guardian digs up its original review of Lewis Carroll‘s Through the Looking Glass.