“You could say that the book [A Sport and a Pastime] is a long poem to provincial France.”

In an interview with the Guardian about Canada, Richard Ford talks about America: “I  never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.

Recommended recommendations: “Eight Excellent Literary Podcasts for Your Morning Commute.”

Would you like to win all 37 novellas from Melville House’s “The Art of the Novella” series? Then try your hand at making a video book trailer for their “The Duel x 5” set.

The success of international authors like Orhan Pamuk, Ma Jian, Haruki Murakami, and Tash Aw – each capable of “transcend[ing] their homelands and emerg[ing] into a planetary system where there work can acquire a universal relevance” – has caught the attention of n+1’s editors. In a lengthy piece from their last issue, they suggest that we should be less concerned with such examples of “World” or “Global Literature,” and instead focused on more diverse, politically-charged and unique international works. “Global Lit tends to accept as given the tastes of an international middlebrow audience; internationalism, by contrast, seeks to create the taste by which it is to be enjoyed,” they argue.