Apparently the confessional poets hated being known as confessional poets. Writers like John Berryman and W.D. Snodgrass responded badly when given the label. How do we understand their shared revulsion to the term? At The Paris Review Daily, an argument that we can find the answer in an unlikely place: The Twilight Zone.
"The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is." At Slate, our own Mark O'Connell criticizes the award for promoting the same bad criticism it claims to detest.
Mallory Ortberg of The Toast, whose Ayn Rand-inspired versions of Harry Potter and the Half-Blood Prince and You’ve Got Mail we told you about a few months ago, is back it at again. Now Rand (er, I mean, Ortberg) has her sights set on the dubiously libertarian children’s classic If You Give a Mouse a Cookie. If we give you the article, you’ll probably ask us for an essay by Gary Percesepe about meeting Ayn Rand’s editor to go along with it.
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: "The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice." Pair with his recent essay at The Millions on plot and the inciting incident.