“Writing is the lonely sport of sad sacks.” The Rumpus interviews Lauren Groff, who’s a bit of a Millions favorite. Here’s her Millions interview and here’s Arcadia as Janet Potter’s Staff Pick this past April. Also, here’s a #LitBeat of a Literary Death Match she competed in earlier this year, in LA.
“Research is about following the gleam into the dark.”
Or the Link
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Goodnight Road
What would Blood Meridian look like as a children’s book? The question is vaguely unsettling, but Jerry Puryear set out to answer it anyway, drawing up detailed mockups of literary children’s books and posting them on his Tumblr. At Slate, a selection of his book covers. (This might be a good time to look back on our US-UK Book Cover Battle.)
Bright Eyes
After the sculptor Henri Gaudier-Brzeska died fighting in the trenches, Ezra Pound wrote a book about his work, inspiring a wave of interest that brought the sculptor to prominence. The book came out in 1916, a year after Gaudier-Brzeska’s death, and kicked off a succession of great books that tackle his sculptures. Yasmine Seale writes about their legacy in the LRB.
Emily St. John Mandel Sees Other People
Our own Emily St. John Mandel, whose novel The Lola Quartet not only released this month but also made Maud Newton’s travel list (so you know it’s good!), sits down with Brad Listi for an Other People Podcast.
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What Doesn’t Translate
We’ve linked to infographics about the life cycle of translated books, but that doesn’t cover the difficulties inherent in translation itself. The New Yorker‘s latest Out Loud podcast tackles this subject as Adam Gopnik talks with Ann Goldstein and Sasha Weiss about priorities in translation and how we identify with the languages we use.
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“Carefully Arranged Derangement”
“Literature offers a way of framing, or reckoning with, the chaos of a universe we can never truly know.” The LA Times interviewed Denis Johnson about his new novel The Laughing Monsters, an excerpt of which can be read online here.