Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
Qiu Miaojin’s Survival Guide
The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
“Give things away”
Recommended Reading: this interview with poet Lucie Brock-Broido, whose new book Stay, Illusion is a finalist for the National Book Award.
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The Church of Scientology vs. The New Yorker
Last February, everyone was talking about Lawrence Wright‘s epic New Yorker profile of Paul Haggis and The Church of Scientology. But now, as The New York Times reports, the Church has released Freedom, a 51-page retaliatory glossy with DVD accompaniment.
Stocking Stuffers
It’s not even Thanksgiving, but Dalkey Archive Press is already Jingle Bell rocking their holiday sale. 60% off pretty much all Dalkey books.
NY Fashion Week and the Working Writer
When high fashion and the life of a working writer combine: on Jessica Francis Kane‘s New York Fashion Week debut.
Sudanese Shorts
Recommended Reading: This month’s installment of Words Without Borders, which features three stories by Sudanese writers Nagi Al-Badawi, Adel Gassas, and Sabah Babiker Ibraheem.
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Celebrating, Not Sanitizing, Complicated Women Writers
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.
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