Teju Cole on partying, though very civilly, with V.S. Naipaul: “The combination of ego, tenderness, and sly provocation was typical.”
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his “English reality” has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
Are you familiar with JT LeRoy (or rather, Savannah Knoop … or wait, Laura Albert), perpetrator of one of the greatest literary hoaxes in recent memory? Author: The JT LeRoy Story is a new documentary by Jeff Feuerzeig that asks questions about whether or not existence is predicated on real-world physicality — LeRoy’s books exist, so doesn’t LeRoy exist by association?
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
“To attempt to write seriously is always, I feel, to fail,” Will Self told The Guardian. He and six other authors, including Margaret Atwood and Lionel Shriver, reflect on their life, career, and love disappointments. Pair with: our own Edan Lepucki’s essay on accepting rejection.