Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
Yesterday, our own Elizabeth Minkel pondered if Twitter fiction could be real art. She cited Teju Cole, a literary Twitter master, but what does he have to say about how Twitter affects his writing? “My memory is worse than it was a few years ago, but I hope that my ability to write a good sentence has improved,” he told The New York Times.
Now that Louise Erdrich has won the National Book Award, it’s worth looking back on her interviews from recent years. You can read her piece in the Art of Fiction series, published in 2010 in The Paris Review; you could try her interview with the Times from back in October; or else you could take a look at her sit-down with The New Yorker in April. (This probably goes without saying, but you could also just read her new novel.)
“No matter who we’re horny to blame for our great national nightmare today, the Washington Post is offering a solution.” The Awl reports that The Washington Post is offering free digital subscriptions for students, the military, and government employers.
Picture books have always been a good way to teach your children difficult concepts. They cover everything from bodily functions to the makeup of modern families. At Slate, Gabriel Roth writes about a picture book that taught his child about death. You could also read T.K. Dalton on teaching your children about gender.
There’s a pedestrian bridge spanning Hennepin Avenue in Minneapolis that features a John Ashbery poem written on its steel beams. This is a fabulous slideshow of photos showing the poem. Via been thinking.
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
“When the French would go to serve, they often said, Tenez!, the French word for ‘take it,’ meaning ‘coming at you, heads up.’ We preserve this custom of warning the opponent in our less lyrical way by stating the score just before we toss up the ball. It was the Italians who, having overheard the French make these sounds, began calling the game ‘ten-ez’ by association. A lovely detail in that it suggests a scene, a Florentine ear at the fence or entryway, listening.” Whether it’s David Foster Wallace or John Jeremiah Sullivan writing about tennis, I’m reading it. Another three-namer, Jonathan Russell Clark, reviewed The David Foster Wallace Reader for The Millions.