Pulphead author John Jeremiah Sullivan writes his second New York Times Magazine cover story in five weeks. This is turning into an embarrassment of riches.
John Jeremiah Sullivan Visits Cuba
Paralyzing Shame
Recommended Reading: Elissa Altman on writing and giving permission to succeed.
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“QB or not QB”
Is Rick Reilly’s poem about Tim Tebow so terrible that it could’ve sent “a shockwave through time, producing reverberations before it ever happen[ed]?” Matt Ufford thinks so.
Sketches of a Life
Recommended Reading: On Lucia Berlin’s final stories, “a series of sketches which traced her life.”
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Marketing Creativity
Tim Parks writes at NYRB about the constraints that the marketplace puts on writers’ creativity. For more on publishing and the marketplace, check out our column on The Future of the Book.
Punctuate With Extreme Prejudice
Noreen Malone – writing in Slate – launches a rearguard action against the em-dash. Is it fair to harbor punctuation prejudice? If so, a confession: I can’t stand the ampersand.
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“In matters like writing[…], a man does what he has to do—if he has to write, why then, he writes”
Rebecca Davis O’Brien unearths a letter in which Malcolm Cowley tackles the timeless question, “Should I get an MFA?” Just as poignant as Cowley’s letter is novelist Helen DeWitt’s pointed dismissal of Cowley’s advice in the comments section.
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Virtual Poetry Seminars
The International Writing Program at the University of Iowa is offering two seven-week online seminars free of charge this summer: Advanced Poetry and Poetry Masterclass. The seminars are intended for emerging and published poets, respectively, and they will be taught by Micah Bateman and Nick Twemlow. Anybody with an internet connection is allowed to apply, and applications are due May 8th.
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Wordless Novels
“There is a saying that has become a cliché: ‘Pictures speak louder than words.’ But sometimes, a picture can speak louder than words because it contains a profound silence. It’s what a picture does not say that can often make it loud. What is, after all, a wordless novel but a novel devoted to the message of silence?” On Frans Masereel‘s My Book of Hours, a wordless novel in woodcuts. For another, lighter perspective on the power of picture books, pair with Jacob Lambert‘s “Yet Again, I Ask: Are Picture Books Leading Our Children Astray?“
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