Explore four of the spots mentioned in Zadie Smith’s NW courtesy of this interactive Penguin Press feature. Listen to Zadie’s own voice and read some of her prose as you explore the streets and buildings. You can also read the book’s first lines over here.
Explore the Real NW
Kaveh Akbar Refuses to Flatten His Poetry
Kaveh Akbar discusses his newest poetry collection, Pilgrim Bell, and why he avoids giving literal explanations for his work.
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$200,000? Who Said Publishing’s On the Outs?
Aspiring novelists, take note: when you get a $200,000 advance for one of your books, don’t buy any clothes.
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sail I said sail I will Sail
In an opinion piece for the Irish Times, Julian Gough asserts that the Irish Naval Service’s decision to name two ships after famous writers is a problem because “the State hasn’t yet earned the right to be associated with Beckett and Joyce.”
On the Ledge
“For years, growing up, I was obsessed with the thought; among my earliest memories is the desire, at age three or four, to run in front of an oncoming bus. Not because I wanted to see what would happen, but because I was sure I knew what would happen: I wouldn’t have to live any longer. I suspect there may be a suicide gene.” Clancy Martin tackles a perennially touchy subject.
This Writing Life
“I thought there were would be more in this writing life, an easier path to walk. I write those words and know they are the unwise thoughts of my younger self and that I am still too stubborn to give up on my dreams. When Annie Dillard invited me outside for that smoke, she knew very well what it would mean to a young writer like me. She intuited my ambitions and it was her way of encouraging me.” This essay is ostensibly about smoking cigarettes and playing catch with Annie Dillard, but it’s also about the incredibly important role that an established writer can play in helping a struggling up-and-comer.
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“Change the listeners”
“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.
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