Here’s a double shot of Recommended Reading courtesy of Granta: Open City author Teju Cole on going blind, and Book of Clouds author Chloe Aridjis on Soviet-era cosmonauts.
Double Shot of Granta
The Poet’s Voice
“I’ve been spending a lot of time with my husband’s American cousins, who have a five-year-old daughter. She is fascinated and confused by my ‘Briddish’ accent, which she seems to think at points is something I’m putting on. She invented a game where she’ll point at an object in the room and I have to say the word for it—Carpet! Dump truck!—in my best American accent (which is dreadful, by the way). This had her in stitches. When the laughter had died down, she turned to her parents, suddenly contemplative, and said, ‘Isn’t it amazing that Sarah knows a few words in our language?’” Lily Blacksell interviews T.S. Eliot Prize-winning poet Sarah Howe on how being in the U.S. changes her perception of language, writing in the first-person, and “authenticity.”
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The (Literary) Gen-X Midlife Crisis
At the Daily Beast, Taylor Antrim analyzes Bret Easton Ellis, Jennifer Egan and the Gen-X midlife crisis: “Sad white guys! The culture’s lousy with them...”
The Fictive Wallpaper
Artist Julia Callon creates dioramas inspired by nineteenth-century works of fiction such as Jane Eyre and "The Yellow Wallpaper."
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Profile of Rick Moody
At the Hartford Advocate, Craig Fehrman talks to Rick Moody about his “perplexing” career and latest novel, The Four Fingers of Death: “Moody isn’t the worst writer of his generation, but he is one of the most successful ...”
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Louisiana: Where Music Was Born
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
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