From the person who brought you Infinite Boston comes Infinite Atlas, an interactive map of the places that make up Infinite Jest, and, for the truely devoted, the Infinite Map, a framable print version of that atlas. Page-Turner offers an extended preview of D.T. Max’s Every Love Story Is a Ghost Story. Maria Popova highlights a few of the signature DFW words that he adopted from his mother.
Stephen King, Haruki Murakami, Chris Adrian, James Frey, and Peter Nádas are all in the running for the 19th annual Bad Sex Award. The award will be presented by the UK’s Literary Review on December 6th. Last year’s prize(?) went to Rowan Somerville for his work(?) in The Shape of Her. If you’d like to read snippets of the sex scenes in question, check out the publication’s Twitter feed.
StoryBundle, a new service that lets you pay as much (or as little) as you want for preselected bundles of ebooks, announced on Wednesday that their latest bundle is a collection of writing about video games. Among other things, it includes two books by Jordan Mechner, the man behind Prince of Persia, as well as two issues of Kill Screen.
Will anyone read Chuck Klosterman in a hundred years? Jonathan Russell Clark explores the possibility over at The Literary Hub: “What fate awaits the author of books so rooted in a given era? Can the accomplishment of capturing now remain significant or noteworthy forever? Will anyone read Klosterman in the future? And if they do, how will they read him?” In the mood for more JRC? How about his essay on the art of the first sentence?
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?
Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.