Sex and the City’s Cynthia Nixon has been tapped to play Emily Dickinson in a new biopic from Terence Davies. In a lucky break for that film’s stylists and wardrobe people, the number of extant photographs of Dickinson has recently doubled.
Cynthia Nixon to Play Emily Dickinson
The Literary Identity
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim's review of Call Me Zebra.
Pamela or Plath?
I’m disappointed that I was only able to get 8/12 correct on the Guardian’s “Who’s the Poet: Pamela Anderson or Sylvia Plath” quiz, but I’m consoling myself with the fact that the 50% is the average.
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Insert Your Own “Judging” Joke Here
This list of the year’s best book covers -- chosen by the staff of Design Observer -- pairs nicely with our own comparison of book covers from the US and UK.
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The Virtues of Boring
Mark O'Connell's recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of "the slow and the boring" in film, responding Dan Kois's Times Magazine piece confessing he's "suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables."
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War and Sociology
What can we learn about Leo Tolstoy by reading the German sociologist Max Weber? Let Jeremy Klemin from 3:AM Magazine explain. While we’re on Tolstoy, here’s a complementary piece that asks the age old question–who’s better: Tolstoy or Dostoyevsky?
Nice Wall
In August of 1911, Franz Kafka and his future literary executor Max Brod paid a visit to the Louvre to see the Mona Lisa. It was, all told, a weird time to make such a trip, because a week before the two arrived in Paris, crafty thieves abducted the famous painting. So why did they go if there wasn't a painting to see? To look at the absence, of course. (h/t Arts and Letters Daily)
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A to the Future
We take it for granted that our language will grow and change. But one thing we think less often about is that our alphabet is subject to the same forces. Herewith, Carlos Lozada reads Michael Rosen’s new book Alphabetical, which delves into the origins and future prospects of our writing system.
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