Your guide to writerly rejection. With bonus bingo card!
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
There are a lot of writers who work in advertising, and it’s starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. “We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button,” neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.
New this week: Lincoln in the Bardo by George Saunders; Shadowbahn by Steve Erickson; The Fortunate Ones by Ellen Umansky; All That’s Left to Tell by Daniel Lowe; The Weight of Him by Ethel Rohan; The Dark Flood Rises by Margaret Drabble; and Be My Wolff by Emma Richler. For more on these and other new titles, go read our most recent book preview.
You may have heard that Glenn Beck, sower of anxiety about Obamanomics, is also a shill for gold coin dealer Goldline. But here’s a conspiracy theory for you: Does Glenn Beck also have a stake in the modish French theoretical organ Semiotext(e)? The truth is out there, people.