Your guide to writerly rejection. With bonus bingo card!
This graphic account of the uncomfortable on-stage conversation between Roxane Gay and Erica Jong at this year’s Decatur Book Festival comes from MariNaomi over at Electric Literature. Here are a few essays from The Millions that also deal with race, fatherhood, and fiction.
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
Some Mormons are excited about the recent news of Trey Parker and Matt Stone‘s forthcoming musical, The Book of Mormon: “How can they call us a cult once we’re headlining 52nd Street? The Jews got ‘Fiddler.’ The Catholics got ‘The Sound of Music’ and ‘Doubt.’ It’s our time to shine.” Read more at the Salt Lake Tribune.
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
Over at Electric Literature, Lincoln Michel wonders “What’s Wrong with Only Reading Half a Book?” Pair with our own Sonya Chung‘s essay on her list of unfinished reads and the art of “breaking up with books.”