Here’s a letter that no longer finds itself at home in our alphabet, & yet we use it everyday.
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.
Following its interview with Yelena Akhtiorskaya, Bookforum published its review of the author’s debut novel, Panic in a Suitcase. As in many other books that take place in the post-Cold War age, the plot centers on a group of Ukrainian immigrants, fresh out of the former Soviet Union, who set up new lives in America. However, despite the subject matter, it’s a bit too reductive, Chloé Cooper-Jones writes, to classify the book as an immigrant novel. For more on the book, read Matthew Wolfson’s Millions review.
Martin Scorsese is finally making a movie without Leonardo DiCaprio. He and David Tedeschi are working on a documentary about The New York Review of Books. It will cover the publication’s history and feature new footage of Joan Didion and Michael Chabon, among others. The film is a work in progress but will premiere at Berlinale next month.
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.