Do famous authors owe it to the reading public to publish their unfinished works after death? Casey N. Cep traces the contentious history of writers’ estates.
Kickstarter is expecting to raise more than $150 million for its users' projects in 2012. That's $4 million more than the "entire fiscal year 2012 budget for the National Endowment of the Arts." Maybe it's because the NEA is wasting all of its money on that $1.3 billion poem...
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
A spate of notable literary homes have dotted high-end real estate recently. Earlier, The Telegraph reported that Bran Castle, whose famed fictional occupants include Count Dracula from the eponymous novel by Bram Stoker, is seeking offers. Yesterday, Ray Bradbury's cheery 3-bedroom yellow house was listed at at $1.5 million. Sadly, the more-affordable $350,000 home of beloved children's book writer Beverly Clearly was snapped up last week. Writers hoping to add to the stock of literature-imprinted real estate, take note: Detroit nonprofit Write A House, which renovates vacant homes and awards them to writers and poets free of charge, is accepting applications until June 21.