Benjamin Percy makes the case for slowing down, “the best thing [he] ever did for my reading, which might be the best thing [he] ever did for [his] writing.”
What’s The Rush?
Meant to Look Pretty
Are books on the way to becoming luxury objects? At Salon, Daniel D’Addario makes a case that they are, explaining how a new aestheticism in book design points to a future in which books function mainly as art objects. (While we’re on the subject of book design, it’s a good time to look back on our U.S.-U.K. book cover battle.)
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“What’s it like to fall in your thirties?”
“I could measure my progress with metrics like number of scabs collected, number of inches ollied,” writes Nick Courage, in his great piece about rediscovering skateboarding in his thirties. “There was an objective truth to the sport; unlike my writing, my powerslides were self-validating.”
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Seriously, Read This Book
Lev Grossman is ready to dub John Jeremiah Sullivan, author of Blood-Horses and, more recently, Pulphead, “the next Tom Wolfe,” and NPR‘s Dan Kois agrees that he might be “the best magazine writer around.” Elsewhere, Zach Baron writes an interesting profile of the author for The Daily.
Matthew Salesses on Calling Language Into Question
Matthew Salesses discusses how he shaped the language of adoption to fit his own experience.
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Not Exactly Rotten
According to a recent survey, Danes are the happiest people in the world. This came as a surprise, writes Mathilde Walter Clark, to most of her fellow Scandinavians, who know very well the unhappier elements of their daily lives. The problem, she suggests, is that words like “happiness,” “ambition” and “contentment” have subtly different meanings in different languages — in other words, happiness in Denmark isn’t the same thing as happiness in America. You could also read our own Emily St. John Mandel’s review of the Danish writer Jonas T. Bengtsson’s A Fairy Tale.
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He Said, He Said (Tom Wolfe Edition)
Thomas Mallon seemed to enjoy Tom Wolfe’s new novel. Our own Nick Moran? Not so much.
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