Benjamin Percy makes the case for slowing down, “the best thing [he] ever did for my reading, which might be the best thing [he] ever did for [his] writing.”
What’s The Rush?
A Way Out of No Way
Keeanga-Yamahtta Taylor reviews Saidiya Hartman's Wayward Crossings, Beautiful Experiments, "a radical, genre-defying examination of the lives of 'ordinary' young Black women."
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Mothers & Monsters
“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
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DJ Díaz
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
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Justin Taylor Threepeat
Did you dig “After Ellen,” Justin Taylor’s short story in The New Yorker? How about his interview for the Page-Turner blog? Yea? Well here’s even more: Joshua Cohen talks with The Gospel of Anarchy author for Jewish Book Council.
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The Story of My Friend
“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
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