Year in Reading alum Victor LaValle’s just-released novel The Devil in Silver was shouted out in our first Great 2012 Book Preview, and Nathan Huffstutter says it’s “exceptional.”
Victor LaValle’s Exceptional Latest
Reader’s Nostalgia
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."
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Make It New
"After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of 'realism.' It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop ('this isn’t a story,' 'this is poetry,' 'what is this'), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life." Susan Steinberg asks what happened to American experimental writing.
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Coming to a Bookstore Near You
Check out this clever book trailer for the debut novel House of Tomorrow by Peter Bognanni.
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Poet Laureate Sans Laurels
The recently (and controversially) appointed poet laureate of North Carolina has resigned from the post, but the upset generated by her short-lived laureateship can be interpreted as a sign of just how important poet laureates are. If you're unconvinced, or simply confused about what exactly poet laureates do, we have just the links for you.
Correcting Gender Inequity
The Interference Archive went on a Wikipedia edit-a-thon to help balance gender inequality on the site, which is overwhelmingly edited by men. Our own Sonya Chung writes on how to write across gender.
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Ich Ni San Chi Go!
Recommended Reading: “Supernova” by Dani Shapiro, who was just interviewed for our site this past week.
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Dreamweaver
For the most part, Tolstoy is known as a realist, despite his work’s occasional dips into fancy. Yet the plotlines of his great novels featured long and important dream sequences. In The New York Review of Books, Janet Malcolm argued that Tolstoy was a master of dreams, using Anna Karenina as proof.
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