New this week is D.T. Max’s biography Every Love Story Is a Ghost Story: A Life of David Foster Wallace, which we excerpted last week. Also out are The Revised Fundamentals of Caregiving by Jonathan Evison and Every Day by David Levithan.
“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.
The recent opening of the Jeff Koons retrospective at the Whitney Museum of American Art has occasioned a number of rave reviews. They’re so good, in fact, that they’ve inspired Los Angeles Times writer Carolina A. Miranda to comb the write-ups for “evocative turn[s] of phrase, political metaphor[s], and references to lady parts” in order to assemble a standalone poem. Or, rather, it was standalone until artist William Powhida made a drawing out of it. (Full size drawing here.)
“We started with just the two of us, and now it’s the largest reading community in the world.” Publishers Weekly interviewed Goodreads founders Otis Chandler and Elizabeth Khuri Chandler about the site they founded 10 years ago, which now boasts 65 million members. Check out our own Edan Lepucki on Goodreads’ humble beginnings.
The L.A. Times Book Prize finalists for 2013 have been announced. The five finalists in fiction are: Percival Everett’s Percival Everett by Virgil Russell, Claire Messud’s The Woman Upstairs (also see her Year in Reading post), Ruth Ozeki’s A Tale for the Time Being, Susan Steinberg’s Spectacle, and Daniel Woodrell’s The Maid’s Version. The winner will be announced on April 11.
“Life is worth less than a line of Baudelaire’s poetry.” These two lyric essays by Chen Li over at Asymptote Journal are economical and well-worth the read. Though Chen Li is from Taiwan, he writes in Chinese; this syllabus of Chinese writing and the “New China” from Casey Walker at The Millions pairs quite nicely.