Rolling Stone asked David Cross about Arrested Development‘s Netflix relaunch and he says it’s “audacious and amazing.“
There’s always funny in the banana stand.
Virtual Typesetting
“Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this…
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Pathological Point-Making
Recommended Reading: Vinson Cunningham at The New Yorker on what makes an essay “American.”
Melissa Broder on Writing Her Obsessions
Melissa Broder discusses her latest book, Milk Fed, which was born from one of her many obsessions.
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Unlocking the Doors
How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
Don’t Ask, Don’t Tell No More
US Petty Officer 2nd Class Marissa Geata and her partner, Petty Officer 3rd Class Citlaic Snell, showed that, indeed, Don’t Ask, Don’t Tell is dead. The couple shared a kiss in the Navy tradition: winning a raffle for the first kiss on the pier after a ship returns from sea.
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New Hughes
A previously unpublished short story by Langston Hughes is now available online at The New Yorker. Pair with our own Emily Colette Wilkinson’s staff pick, Tambourines to Glory.