Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
If you haven’t already, meet Coeur de Pirate, the beautiful and charming Quebec singer-songwriter Béatrice Martin. Her sound’s somewhere between Françoise Hardy and Icelandic band Seabear. Here’s the video for “Comme des Enfants” and here’s a fan-made video for “Printemps” (my favorite C de P song).
Out this week: The Land of Love and Drowning by Tiphanie Yanique; Last Stories and Other Stories by William T. Vollmann; High as the Horses’ Bridles by Scott Cheshire; The Hundred-Year House by Rebecca Makkai; Tomorrow and Tomorrow by Thomas Sweterlitsch; A Brave Man Seven Storeys Tall by Will Chancellor; The Confessions of Frances Godwin by Robert Hellenga; Don’t Try to Find Me by Holly Brown; The Girls from Corona del Mar by Rufi Thorpe; Mr. Gwyn by Alessandro Baricco; Road Ends by Mary Lawson; and our own Edan Lepucki’s California (which you may have seen on Colbert). For more, go read our Great Second-half 2014 Book Preview.
One big round of applause for everyone; according to a new study, if you read books you will earn more money. Importantly, the cap seems to be around ten books per year–any more than this and the correlation between books read and income per year dissipates. But don’t let that stop you!
This fall, Marilynne Robinson will mark her return to a fictional plains town in Iowa with the publication of Lila, the third novel in her Gilead series. Expect the novel to be featured in our forthcoming Great Book Preview, but if you can’t wait until then, you’ve got to check out FSG’s exclusive excerpt from the book.
David Roberts spent 12 hours in front of a screen everyday, frequently hit the daily tweet limit, and saw “every sunset as a potential Instagram.” So he decided to quit the internet for a year and lived to tell the tale for Outside. Yet disconnecting isn’t as easy as signing off Twitter. “One striking feature of the digital-self-help literature is that it treats distraction, overload, and frazzlement almost entirely as personal challenges. If you’re stressed out and unable to concentrate, you’re not enlightened enough. Meditate harder.” Pair with: What’s it like to be from the last generation to remember life before the internet and our own Edan Lepucki’s (slightly shorter) social media detox.
“In my mind, the encircled bird on the cover of the 1978 Pocket Books edition of Play It As It Lays immediately recalled another: the mockingjay pin given to Katniss Everdeen at the start of Suzanne Collins’s The Hunger Games.” At Paper Monument: the importance of book covers.
“‘There is almost no work, within the vast range of literature and science,’ [Thomas Jefferson] wrote in an 1874 report, ‘which may not at some time prove useful to the legislature of a great nation.’ Thus the Library Of Congress’s mandate expanded: it would acquire anything and everything of importance … By the late 19th century, the LOC had become a kind of national brain trust, a heritage of information that aspired to timelessness.” This piece on the Library of Congress and its internet progress (or lack thereof) is fascinating and thorough. Go and spend some time with the digital archive, there are only around seven million gigabytes of information for you to thumb through.