Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
“The serious critic ultimately loves his subject more than he loves his reader”
Very Lovely and Intense
“I hadn’t gone back in time, but in a sense Rome had come forward, by insidious and sly degrees, under new names, hidden by the flak talk and phony obscurations, at last into our world again.” Whatever you say, Philip. Was Philip K. Dick a mystic or was he just a madman?
The Best of the Internet
The Bygone Bureau asked a whole heap of people to write for their annual “Best of the Internet” post, and I was one of them. Come on over to see what I have to say about Ted Berrigan, a Twitter robot, and a certain type of found poetry.
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Strolling Story
Recommended Reading: Lydia Davis’s new short story, “Old Men Around Town,” in the New Statesman. “He stops to tell us that he must be up early in the morning – to get down to the factory. The factory is gone, his men are gone, but he still seems to be in charge of something.” For more Davis, check out her new collection.
Just Right
The National Rifle Association is featuring a series of reimagined fairy tales on their website. The only difference? Way more guns. In the debut story, Hansel and Gretel don’t bemoan their lack of food since they had been taught from birth to hunt with guns for sustenance. No, it’s not yet April Fools’ Day.
The Threat of Death
The New Yorker has published the chapter of Salman Rushdie’s forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran’s spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
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