Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
“The serious critic ultimately loves his subject more than he loves his reader”
A Less Dangerous Game
"He had never slept in a better bed, Rainsford decided later, lying in his bed, after they had played several rounds of various games, and didn’t hunt one another at all." You probably encountered Richard Connell's The Most Dangerous Game at some point during your educational career -- you definitely never came across this "comforting and anodyne" version, though.
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“To me, Godspeed is more than just a band, it’s an idea.”
Canadian post-rock outfit Godspeed You! Black Emperor will soon release their fourth studio album, 'Allelujah! Don't Bend! Ascend!, and it’s definitely worth checking out. You can stream the record over here. The band was also recently interviewed for The Guardian, too, and this entire post should keep you occupied for a while.
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A Letter from a Friend
Recommended Reading: Orrin Devinsky remembers his best friend, Oliver Sacks.
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Interview with John Darnielle
Recommended viewing: John Darnielle talks about his debut novel, Wolf in White Van, in a video for the Los Angeles Review of Books.
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“The grand and minute violence of everyday life”
Recommended Reading: Seth Cosimini on Chimamanda Ngozi Adichie’s Americanah.
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Need something to read?
If you're in need of a great read this week, you'll be glad to know that Byliner has compiled a list of 101 spectacular nonfiction stories from 2011. They run the gamut from investigative to personal to borderline trivial: There's Mac McClelland's incredibly daring and disturbing essay on working through PTSD through controlled sexual violence, alongside Jon Mooallem's history of the high five. Happy reading!
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The Banal, Unexceptional Recovering
"So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth." Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.