Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
This week we have new on shelves: Julie Orringer's hotly anticipated debut novel The Invisible Bridge; Meghan Daum's memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer's Gun by our own Emily St. John Mandel.
The t-shirt team at kafkacotton has generously offered to extend a special deal to readers of The Millions (knowing, I assume, that you bookish folks will dig t-shirts that cleverly proclaim their love for classic books). Use the discount code "THEMILLIONS" to get 10% off. Remember to put the discount code in the "Message to Seller" box. Then, I'm told, you can either immediately pay the full price and they'll issue you a refund for the discount amount or you can wait for kafkacotton to send you a revised, discounted invoice. Thanks for setting up this deal kafkacotton!
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.