Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
“The serious critic ultimately loves his subject more than he loves his reader”
Queens of the Short Story
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
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There Are Worse Destinations
Bad news: due to the changing climate and rising sea levels, all 103,000 inhabitants of Kiribati have to permanently evacuate their homes. Good news: they may all get to move to Fiji.
Bro, Do You Even Read?
The Toast may be closing its doors soon, but that doesn't mean it isn't still putting out hilarious pieces. This week, it's Vape Aficionado's Guide to Finding a Token Lady-Writer, featuring such gems as: "Margaret Atwood: Because she’s good at Twitter and you forgot how to spell 'Le Guin,'" and "George Eliot: Whoops, you thought George was a dude, didn’t you? Purely accidental, but it still counts!"
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Jewel Boxes
Colm Tóibín's new book on Elizabeth Bishop is unusually hard to categorize. Part “primer,” part “personal reflection,” in Jonathan Farmer’s words, it moves back and forth between analysis and lyricism, alternating passages of beauty with nuts-and-bolts guides to Bishop’s poems. In Slate, Farmer tries to nail it down. You could also read our own Michael Bourne’s review of Tóibín's The Master.
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After the last word
This weekend--at 2:30 am on Saturday, to be precise--Twitter bot @everyword was set to complete its 7-year run with the final word in the English language: "zymurgy." Unexpectedly, the bot tweeted again half an hour later--with a nontraditional character it had surreptitiously glossed on the first run: éclair. Since @everyword, like Lazarus, probably won't get the same fuss after its second death, check out The Guardian's interview with creator Adam Parrish now.
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