Robert Krulwich takes on two very different types of "nothing." As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, "nothing" is a lot more complicated than you might initially believe.
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
It's easy to forget that traders and travelers a millennium ago were as tongue-tied in foreign countries as college backpackers are today. How convenient for Silk Road travels, then, to have had a phrasebook translating between languages like Sanskrit, Tibetan, and Mandarin Chinese.