Post-40 Bloomer Daniel Orozco won Stanford’s William Saroyan International Prize for Writing this week. His story collection, Orientation, beat out a murderer’s row of adversaries including Ben Lerner’s Leaving the Atocha Station and Miroslav Penkov’s East of the West: A Country in Stories. Check out excerpts or stories from all three writers here, here, and here, respectively.
“A vast human action is going on. Death watches. So if you have some happiness, conceal it. And when your heart is full, keep your mouth shut also.” Saul Bellow saw a bit of resurgence this year with the publication of his collected non-fiction, There Is Simply Too Much to Say. Why do we need him now more than ever? According to Michael Weiss at The Daily Beast, it’s because he has “a bit of the opposition in him.” This essay is exhaustive and thoroughly researched and well worth your time.
Slate has translated famous first lines of literature into emojis, and they’re surprisingly coherent. Pair with Jonathan Russell Clark‘s essay on opening sentences.
David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
The second time Eudora Welty met William Faulkner, the latter brought the former out on a ride in his boat. She wrote a letter to Jean Stafford in 1949 that described the experience in entertaining detail. At The Paris Review Daily, you can read the letter in full. Pair with: James McWilliams on Faulkner’s novel The Reivers.