Post-40 Bloomer Daniel Orozco won Stanford’s William Saroyan International Prize for Writing this week. His story collection, Orientation, beat out a murderer’s row of adversaries including Ben Lerner’s Leaving the Atocha Station and Miroslav Penkov’s East of the West: A Country in Stories. Check out excerpts or stories from all three writers here, here, and here, respectively.
“In one of his last columns, published in March 1966, Flann O’Brien looked back on his catechism, compiled more than twenty years earlier, and described it as ‘an exegetic survey of the English language in its extremity of logo-daedalate poliomyelitis, anaemic prostration and the paralysis of incoherence.’ One month after writing that, he was dead, and yet within a year a remarkable renaissance was taking place, with the long-delayed publication of his great comic fantasy The Third Policeman and, soon afterwards, the first of many anthologies of the ‘Cruiskeen Lawn’ columns, this one entitled The Best of Myles.” (Related: our own Mark O’Connell on the humor in O’Brien’s work.)
It’s bye week over at Football Book Club. And while there’s no new book to read this week — everybody’s resting up, licking their wounds, and sticking pins in Jay Cutler voodoo dolls — you, gentle reader, should be sure to check in for new posts on Louisa Hall’s Speak — and Maggie Nelson’s The Argonauts.
Experience “THE POWER OF BOOKS“You know those annoying puzzles where you type in the letters so the computer knows you’re not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these “Captchas” to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you’re not a computer, you can help some other computers digitize our books.I missed Junot Diaz’s appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
“I do not have experiences in order to write about them. I live in order to live,” Rachel Kushner told New York Magazine. Boris Kachka profiles 2013’s most critically acclaimed author and 2013 Year in Reading participant about what it was like to grow up with hippie parents, riding motorcycles, and her affinity for the art world.