Clive James gives Pauline Kael a serious critical appreciation in The Atlantic. Last year, The Millions also showed Kael some love, in this review of The Age of Movies.
“No real diminishment was possible.”
Make It New
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
“a video a lone a last a loved a long the / riverrun, past Eve and Adam’s”
Open Culture dug up the only known recordings of James Joyce reading his own work. Maybe Finnegans Wake will make a bit more sense to you when you hear its thunderwords spoken out loud.
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Live New Yorker Cartoons
Recommended Viewing: New Yorker editor in chief David Remnick appeared on Late Night With Seth Meyers to introduce a new segment “Live New Yorker Cartoons.”
eBooks for the brain
By now we’re used to the age-old, tiresome books vs. ebooks debate: which one is cheaper, better-smelling, better for notes, better for authors, better for the Earth. But which one is better for the brain?
Thoughts on Someone
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Dangerous Novels
“The idea that novels could be dangerous seems largely have fallen by the wayside, which does raise the question of how today’s newer sources of entertainment and information will look to the critics of the future. In 50 years, maybe we’ll be lamenting our failure to read enough Internet.” Anna North writes about the distant time “When Novels Were Bad For You” for The New York Times.
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