HTMLGiant is running a cool series of interviews with readers who recently finished long or difficult books. Check out their takes on Lee Child’s Echo Burning, David Foster Wallace’s Infinite Jest, and William Gaddis’s The Recognitions over here, here, and here, respectively. Also, while on the topic of difficult books, check out Emily Colette Wilkinson and Garth Risk Hallberg’s round-up of their ten top picks.
Interviews with Ambitious Readers
The Adventures of Getting Rich Quick
"[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet." The New Yorker writes about the humor writer's many failed attempts to get very rich. From our archives: Twain and the Wild West.
What We Want
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Up with Me
If you’re an insomniac, you probably feel an odd kinship with people who work the night shift, especially if you live in a large city which is easy to explore on sleepless nights. At The Rumpus, Jess Lowry recalls her own late nights in Manhattan.
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Mapping the Territory
"No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them," Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Going Places
"Barbarian Days by William Finnegan. Made me realize my whole life has been pretty much a waste. I suspected this anyway; he explained why: because I’d not surfed." Geoff Dyer over at the New York Times on the best book he's read recently. Our own Janet Potter interviewed Dyer on the release of his most recent book, White Sands.
“We are pouring a lot of money down the drain”
A lucid piece in The Boston Globe explains how "academic publishing is not a free market."
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The Austen Effect
Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
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Imagination, Memory, a Dictionary
Would Vladimir Nabokov have considered you a good reader? Take this little quiz and find out for yourself. Then, allow Garth Risk Hallberg to explain to you why Nabokov's Ada, or Ardor: A Family Chronicle is difficult, but well worth the effort.