HTMLGiant is running a cool series of interviews with readers who recently finished long or difficult books. Check out their takes on Lee Child’s Echo Burning, David Foster Wallace’s Infinite Jest, and William Gaddis’s The Recognitions over here, here, and here, respectively. Also, while on the topic of difficult books, check out Emily Colette Wilkinson and Garth Risk Hallberg’s round-up of their ten top picks.
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
In the annals of Southern literature, Elizabeth Spencer isn’t as well-known as Faulkner or Flannery O’Connor, but she is, Wilton Barnhardt writes, “one of America’s best short-story writers.” The 92-year-old author’s new collection marks “65 years and counting of superb writing,” he argues.
Who's the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
Remember when Chipotle started publishing famous authors like Toni Morrison, George Saunders, and Neil Gaiman on their cups and burrito-toting bags? Well, now's your chance to join them. The fast-food chain is holding a contest for student writers, and the prizewinning responses to the prompt "write about a time when food created a memory" will be printed on those same cups and brown paper bags across the country. Oh, and there's a $20,000 scholarship, too.
Move over, “GIF.” (Or, more accurately: animate yourself away from us in an unending loop.) There’s a new Oxford Dictionaries word of the year. Enter, “selfie,” a word of Australian origin that describes an ostensibly new “digital affair, [that’s actually] a novel iteration of an old form: the self-portrait.” (They even come with overarching themes of mortality.)