“My father’s life intersected with a century of conflict, horror and invention. He deciphered these histories for me, making me his scribe in a new century. My successes were his successes, and his stories thrum in every word I write. He taught me to see like a writer, to be attentive to the stories that spring up everywhere … It’s an attentiveness to the world, to ordinary suffering, to the love that persists in its midst. My sense of the world, of history and humanity flows from this awareness — and the attendant grim humor — my father used as his guiding lamp in the darkness cast by racism and poverty.” Over at The New York Times, Walter Mosley recalls the lessons taught to him by his father, Leroy.
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
Read Russia 2012 aims to celebrate contemporary Russian literature and book culture, and they’ve scheduled a bunch of events in the NYC area to coincide with next week’s BEA. You should certainly check them out, as well as NYRB Classics’ ongoing coverage of their own Russian literature highlights. (You can get even more information over here, too.)
It’s a quiet week for new books. David Mitchell’s Cloud Atlas, which famously became a blockbuster bestseller after being released as a paperback original, is now available in hardcover for the first time ever in the U.S., thanks to a new Modern Library Edition. Short story master Tessa Hadley has a new collection out, Married Love, (as a paperback original, coincidentally).