Hip-Hop Men of Letters
Illness as Metaphor
Melissa Broder shares her thoughts on open marriage and illness in an excerpt from her So Sad Today. Pair with Gila Lyons’s Millions essay on writing through illness.
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There Is No End
"In the years before my book came out, I was writing frantically. I remember a week when I was working late at my job, late enough that the buses had stopped running and I had to take a cab home, and I still wrote into the night, trying to finish an essay I had promised an editor. Now I see that I was trying to race against time. I had believed, however irrationally, that there would be a moment beyond which my voice would be taken away from me and I would no longer be able to write." On writing and tenacity.
Victor LaValle’s Exceptional Latest
Year in Reading alum Victor LaValle’s just-released novel The Devil in Silver was shouted out in our first Great 2012 Book Preview, and Nathan Huffstutter says it’s “exceptional.”
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“Thousand-watt sadness”
The most depressing favorable review of a TV show you'll read this year, LA Review of Books shares why "Catfish: The TV Show" is so poignant and so very sad.
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Visionary
At the Times Literary Supplement, Raymond Tallis reviews Hallucinations, a new book by Oliver Sacks that defines “sensational consciousness.”
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Self-Absorbed
Geoff Dyer is fond of taking potshots at literary academics. He devotes considerable time in one of his novels to a professor whose speech at a conference goes off the rails. Which is why it’s odd that, in mid-July, the author showed up at a conference devoted to -- what else? -- his own work. (It's apropos to point out here that our own Mark O'Connell wrote a great essay for Slate about Dyer.)
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Boys Might Cry
Look, we get it. You're as sad as the rest of us that Frank Ocean's new album didn't actually drop on Friday. Luckily, there's a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: "Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility."
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