DeAndre McCullough died last week at the age of 35. McCullough was famously portrayed as the young protagonist in David Simon and Edward Burns’s book The Corner, which went on to become its own HBO miniseries. The Wire later adopted aspects from both the book and the miniseries. The obituary Simon wrote is not to be missed.
DeAndre McCullough Dies
Tough Broads
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.
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The Old-New Journalism
“The repetitions, the ellipses, the onomatopoeia: All the markers of Wolfe’s stylistic DNA were adaptive mutations to a competitive climate, search-engine optimization for the typewriter age.” Here’s an interview with Tom Wolfe about his new novel, Back to Blood, which is receiving mixed reviews.
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The Secret History of Black Chefs
“Back in the 1800s, for instance, when white women began recording their family food traditions, they took credit for their slaves’ handiwork. ‘You owned Sally, you owned her recipe,’ Toni Tipton-Martin reflected on an episode of the podcast Gravy.” At Mother Jones, read about the secret history of black chefs in America.
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Bellow’s Heir
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
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Something Beautiful
“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
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